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"In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required machineries consistently changed, sometimes still resonating in contemporary stagings, performance art, and popular culture. Focusing on devices (which she dubs 'Wagnerian technologies') intended to amalgamate opera's various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner's idealist theories of total illusionism. Curtain, Gong, Steam's multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, the book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure"--Provided by publisher.

Wagner, Richard

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"In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required machineries consistently changed, sometimes still resonating in contemporary stagings, performance art, and popular culture. Focusing on devices (which she dubs 'Wagnerian technologies') intended to amalgamate opera's various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner's idealist theories of total illusionism. Curtain, Gong, Steam's multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, the book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure"--Éditeur.

Wagner, Richard --- Aesthetics. --- MUSIC / Genres & Styles / Opera. --- Opera and technology --- Opera and technology. --- Opera --- PERFORMING ARTS / Theater / General. --- History --- Production and direction --- Production and direction. --- Stage-setting and scenery --- Stage-setting and scenery. --- Wagner, Richard, --- 1800-1899. --- Technology and opera --- Technology --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- MUSIC / History & Criticism. --- 1800-1899 --- 19th century art. --- 19th century music. --- 19th century opera. --- 19th century. --- 20th century. --- acoustics. --- architecture. --- art history. --- artistic. --- audiovisual. --- composer. --- composition. --- french opera. --- german opera. --- inventor. --- music history. --- musical composition. --- opera. --- performance art. --- pop culture. --- popular culture. --- popular music. --- stage crew. --- technology. --- theatre. --- wagner. --- wagnerian technology.

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